How to Build a Lean but Effective Content Marketing Team ...

I?ve been speaking to a lot of people about content marketing lately.

A common theme I?m hearing is that folks have decided to execute on their content marketing goals, but they get stuck on the basic questions of how to start. Sometimes they?re not sure what the content should be, where to publish, or how often.

Solving those types of questions requires research into the size and nature of the opportunity, and the available budget.

Other times, they just don?t see how they?ll find the hours in the day to do the work. They have a subject matter expert (they may be that expert!) but the task seems insurmountable.

Today I?m going to provide 9 tips on how to build a lean content marketing team in a way that might just make the size of the task a lot more manageable.

Before we get into the 9 tips, let?s take care of a few critical beginning items ?

Determine the scope of the content marketing effort

Putting together a content marketing team requires an understanding of the size of the task you want the team to undertake. Some of the questions you need to answer are:

1. Will you have a blog on your own site?
2. How much high-end guest posting will you be doing?
3. What social media sites will you be active in?
4. How much effort will you put into social media vs. writing?
5. What role will giving interviews play in your strategy?
6. How many conferences / speaking engagements will you be involved in?
7. How much budget can you allocate to this effort?

These are all key questions, and the goal is to help you understand the size and nature of the work your team will have to do. You need a sense of the answer of these questions to ensure you build a robust enough team to execute the plan.

Who is your subject matter expert?

You must have a key internal person who leads the effort.

This person needs to be a subject matter expert (SME) on whatever your topic matter is ? passionate about it, and personable. Your content won?t sell without this.

In addition, they must be prepared to commit some of their time and effort to leading the content marketing team. You can?t build a serious content marketing effort with only external resources. Don?t start until you know who the internal owner of the effort will be.

Part of what this person must do is be social. Content marketing is about building an audience that builds your business, and people like to attach to a person, not an inanimate corporate blog. Your SME is critical to getting an identity out there, and therefore winning fans, friends, followers, etc.

The next major question is how much time will your SME have available for this team? I really believe that a serious content marketing strategy requires that they have an average of at least an hour a day. If they have more than that, great! I know people that spend 4 hours per day, and that level of effort can drive awesome results. But, we can still make one hour per day work, by building the right support team around your SME.

Building a support team

The entire purpose of building a support team is to create leverage for the SME.

This is the reason we defined the scope and the person who would be the expert and their availability up front. Of course, in reality, this is often an iterative process, but know that you need all 3 pieces for this to work.

So let?s get to it. The first six are the ones that are the simplest to implement, yet they really help ease the burden of creating great content on a consistent basis.

Here are nine recurring tasks a support team can do that will provide powerful leverage to your SME ?

1. Topic identification

You might think that this should be the sole domain of your SME, but if you are creating multiple articles per week ? or in extreme circumstances, multiple articles per day ? it is invaluable to have someone constantly researching the things taking place in your market. They need to find out what?s happening and what other industry people are writing about.

This research person can then suggest some things that your SME is qualified to write about that complement what is already out there.

Trust me, at times this can be a godsend. I?ve had mornings where I spent 2 hours trying to come up with a topic. Talk about feeling like your day got off to a slow start! Having some ideas sitting there waiting for me is invaluable.

2. Identify influencers

Having help identifying key people to develop relationships with is great too.

Your SME will already know many of the people of interest, but a researcher can help the SME understand the social opportunities in your market more completely.

In addition, they can determine how to contact the influencer (for when you are ready to do that) and monitor the content they put out and tip your expert off when there is something particularly interesting item to respond to or comment on.

3. Find guest posting opportunities

This is another area where your expert will already know some of the interesting places where you can guest post, but nobody can watch everything all the time, so some research help is often very useful.

When you first implement a content marketing strategy, it may not be easy to get published in the most high-end media sites, so hitting some targets one step down might be what you need to do first.

This can then give you the credibility needed to move up to the top rung. A skilled researcher can help map these opportunities for you and even review related articles published by target sites and suggest complementary article titles.

4. Graphic design

This item is pretty straightforward. Know that you need a picture of a cheering crowd with at least 20 people in it to include in your post? Have a designer or smart young intern go find it for you.

Have them find stock photos, create new images, put together appropriate screen shots so your SME does not have to.

5. Extract key points

I like to highlight key points from articles in pull quotes, a summary section at the start of the article, and in social media.

Your smart young intern can do the legwork of reading through the article and suggesting a dozen or so items that are worth the extra attention. This really helps promote the article.

For some practical help on this, study the art of writing bullet points that work.

6. Editorial review

Another braindead simple one.

Have someone else read your stuff. Great for finding typos and grammar problems, but also great to get someone else?s commentary if a particular point you are trying to make does not come across clearly.

This one?s not really a suggestion, it?s a requirement!

7. Drafting proposed social networking posts

Consider having an assistant send your expert a draft of suggested headlines for tweets, retweets, pins, and shares for their review.

The SME can then edit them as they see fit and have the assistant schedule those into a tool like Buffer.

8. Implementation of basic social networking activity

With some training you can get a smart marketing-oriented person to come up with suggested content to share, re-share, tweet, retweet, even without your review and input. This may sound risky, but it can be done quite safely if you set up the right parameters.

For example, is there a major influencer that you completely trust? Can you come up with some rules for how to make sure the content that someone might retweet for you is completely on point with your areas of interest?

For many, it is quite possible to do this. The key is to identify a short list of completely trusted people in your social networks and solid parameters for what you want to reshare. I know a lot of people do this on Twitter. The value is that the SME does not need to live on Twitter to provide real time response on everything they might want to re-share.

Obviously, do this with great care, and don?t let it become an artificial way of creating tweet/share volume. Make sure that the guidelines continue to reinforce the values and expertise of your SME.

9. Creation of draft posts (consider this one carefully)

You can also have your smart intern go ahead and draft actual posts for your SME.

To be clear, I am NOT a fan of pure ghost-written content. High-value, trusted relationships really are a result of exposing the heart and soul ? the passion ? of the SME. When an SME edits ghost-written content, you often lose that element of passion. The SME may make the content accurate, but it won?t be framed the way they would have done it.

This is more important than meets the eye.

Think about it for a minute. Facts are just facts, and anyone can assemble those. But knowing a set of facts is not what differentiates true industry leaders. Their differentiation comes from how they integrate and synthesize a collection of facts.

To do that, they need to truly own the content, not just provide expert editing of it.

Nonetheless, having your researcher dig up the article topics, drafting an article, finding interesting references and resources, and providing that to your expert can be a helpful head start. The SME should then ideally perform a substantial rewrite of what was provided to them. This allows their value to really come through.

This process will still simplify the task for the SME, as the initial draft will contain a lot of the raw information, and references to resources, that they need to pull together the post very quickly.

To sum it up ?

A serious content marketing effort takes a lot of ? well, effort.

You are not going to build a large, engaged audience without bring a lot of expertise and personality to the table. You need both. This is why your SME is a critical part of the picture.

However, you can support that person in a lot of different ways and provide tremendous leverage for that person while simultaneously expanding the reach of your efforts.

About the Author: Eric Enge is President of Stone Temple Consulting, a digital marketing and search engine optimization (SEO) firm. He is also a frequent speaker at industry conferences about SEO and Social Media. Get more from Eric on his blog, Twitter, or Google+.

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Source: http://www.copyblogger.com/lean-content-marketing-team/

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Of Poetry Movements | creative writing

by Giorgia (?14)

(Last year, when the class of ?14 were sophomores, CWI studied groups of Movements throughout history, and on top of writing responses to each Movement, reflected on each group?s causes, characteristics, and effects in the poetry of the modern world.)

In creative writing I find we often have a very narrow view of poetry, accepting it only as one type of writing that conveys a very limited message using constrained images and form. While most of the poetry we read and discussed from our anthology last week are not poems that resonate on a personal level with me, I found that they greatly broadened my appreciation for poetry as a massive body of work with many genres inside, rather than one genre in itself.

Especially with my group, the Vienna Group, I realized the incredibly fluid definition of poetry, and how tied it is to the language it is being written in and the language?s and region it is being written in?s dialects. One thing might resonate as the ?truest? words ever written with one person and it might seem contrived and shallow to another. That said, one does not have to speak the language or be a part of the culture in which a poem was written for it to resonate. This ties to the essay we also read last week in which the woman being interviewed discussed the idea of a collective consciousness?of poetry from one place reaching deep into the heart of a person from another; African women who had been forced to run away from their villages under fear of death marveled at a white American woman?s ability to communicate their own experiences, but her poem was a response to an entirely different experience and image, and yet, poetry tied the two of them together unconsciously.

This allows us to proceed to the idea of the ?musilanguage? discussed in that same essay?the idea that there was a language of sounds charged with emotions that existed before the concept of structured spoken language we have today, and grammar. The idea that one can glean emotion and meaning from something even if they do not understand what it says or if it has no words is derived from this. I can connect these ideas to those found in visual art and classical and instrumental music, as well as other languages the audience or ?experiencer? does not speak. For example, I attend capoeira and in the Rhoda we sing in Portuguese. I only understand a handful of words (mostly nouns) in Portuguese and yet I glean a particular meaning and resonance from these songs. Often when we discuss what they mean or their history, I will find my personal interpretations free from their literal, Portuguese-to-English translations will not be so different.

In my own writing however, I have found that the schools of poetry we studied and the essay did not have a great effect. They have effected my thinking and the way in which I see and read (which I?m sure indirectly effect my writing), but I have found that Thomas Hardy, a poet I have always carried close, whom I have chosen for the Ponder-a-Poet project and have been reading him intensely and exclusively, is having a profound effect on my writing. In the poems I wrote over the weekend and workshopped, I saw the way in which his work has enhanced my voice and effected my word choice and image refinement, allowing me to communicate ideas with a precision I never have before. It is, quite frankly, remarkable, and makes me glad I chose Hardy rather than any of the other poets I have been considering. The simplicity of his verse cuts deep into one?s own personal sentiments (some one might not even be aware of) and traverse his era in an astonishing way. This way I have connected (and learned by heart) several of his poems although they were written in the late nineteenth century goes back to the idea from the interview of a collected consciousness. It makes me ponder even further the idea of the musilanguage and consider something even beyond that. People often say psychic energy connects people, that animals have it, etc. that we are linked through the mind in channels of emotion, and reading something, pausing, and thinking ?How did they know?? just as the African woman asked of the white woman?s poem, demonstrates the fact that poetry is a basis of humanity, a language within a language that transverses what we identify as spoken word and encompasses both music and visual art and unifies us all, across culture, time, and place.

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Source: http://sotacw.org/2012/10/30/of-poetry-movements/

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